Are we stardust?Kingston, 1933
We are reflections This is me at 9 years oldDec.11, 1916It could be anywhereWinter, 1921The guardianTildaThat is how the light gets in Unknown womanAtlantic City, 1948Late summer evening, Ontario, 1927What is done in the darkness, will be brought to the lightMom's roses, 1914Lake Rousseau, 1931I dream of that dayThe three of themBefore the WarWe gather to seeWe are a tablet of waxRuth, October, 1936Borrowed lightAfterglowWe are the spirit rappersAll that is solid melts into airMy sisterThe revenantsLatent lightVilligen, GermanySmall museums of everyday lifeJanuary 30, 1953JesseThe ol' neighbourhood, 1949And the light shines in darkness; and the darkness comprehended it not
Dare alla Luce
In my use of the photographic medium, I am not specifically concerned with capturing a “concrete” reality. Instead, I aim to use photography as a medium that offers the possibility of exploring the relationship between what is visible and non-visible. I have been working on the Dare alla Luce series over a period of time; initially I responded to a collection of vintage photographs, retrieved from a variety of sources both personal and anonymous. Through hand-manipulated interventions I altered and subsequently re-photographed the images “re-making” photographs that oscillate between what is present and what is absent. I aim to comment on the fragile quality of the photographic object but also on the equal fragility of our lives, our history. All are lost so easily. By playing with the tools of photography, I “re-use” light by allowing it to shine through the holes in the images. In a somewhat playful and yet, literal manner I return the subject of the photographs back to the light, while simultaneously bringing them forward. The images are permanently altered; they are lost and reborn, hence the title, Dare alla Luce, an Italian term meaning, “to bring to the light”.
The photographs have new meaning, despite the mysteries they harbor. The title of each piece is significant; some titles were taken directly from the notations found written on the photographs, yet those without any indication of provenance were titled to reference the nuances of photography as a medium and the manner in which we interact with these images.
As I continued to work on this series, I became more aware of the weight each photograph carries. They display moments of love, excitement, solitude, tranquility and fragments of stories that will remain unknown.
These photographs are fragments of everything and nothing.